Le carnaval des animaux, R 125:XIV. Finale
Le carnaval des animaux, R 125:XIV. Finale
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:XIII. Le cygne
Le carnaval des animaux, R 125:XIII. Le cygne
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:V. L'éléphant
Le carnaval des animaux, R 125:V. L'éléphant
Sir John Gielgud, Academy of London, Richard Stamp
Le carnaval des animaux, R 125:IX. Le coucou au fond des bois
Le carnaval des animaux, R 125:IX. Le coucou au fond des bois
Sir John Gielgud, Academy of London, Richard Stamp
Peter and the Wolf, Op. 67
Peter and the Wolf, Op. 67
Academy of London, Richard Stamp, Sir John Gielgud
Ode to the West Wind: Stanzas 1 and 5
Ode to the West Wind: Stanzas 1 and 5
Sir John Gielgud
Sonnet 18: Shall I Compare Thee to a Summers Day?
Sonnet 18: Shall I Compare Thee to a Summers Day?
Sir John Gielgud
Sonnets: 18, 116, 130
Sonnets: 18, 116, 130
Sir John Gielgud
As You Like It: Act II, Scene 7
As You Like It: Act II, Scene 7
Sir John Gielgud
A Scandal in Bohemia
A Scandal in Bohemia
Sir John Gielgud, Sir Ralph Richardson
Le carnaval des animaux, R 125:XII. Fossiles
Le carnaval des animaux, R 125:XII. Fossiles
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:I. (b) Marche royale du lion
Le carnaval des animaux, R 125:I. (b) Marche royale du lion
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:I. (a) Introduction
Le carnaval des animaux, R 125:I. (a) Introduction
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:II. Poules et coqs
Le carnaval des animaux, R 125:II. Poules et coqs
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:VIII. Personnages à longues oreilles
Le carnaval des animaux, R 125:VIII. Personnages à longues oreilles
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:IV. Tortues
Le carnaval des animaux, R 125:IV. Tortues
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:VI. Kangourous
Le carnaval des animaux, R 125:VI. Kangourous
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:III. Hémiones
Le carnaval des animaux, R 125:III. Hémiones
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:VII. Aquarium
Le carnaval des animaux, R 125:VII. Aquarium
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:XI. Pianistes
Le carnaval des animaux, R 125:XI. Pianistes
Academy of London, Richard Stamp, Sir John Gielgud
Le carnaval des animaux, R 125:X. Volière
Le carnaval des animaux, R 125:X. Volière
Academy of London, Richard Stamp, Sir John Gielgud
O,What a Rogue and Peasant Slave Am I !
O,What a Rogue and Peasant Slave Am I !
Sir John Gielgud
O,That This Too,Too Solid Flesh Would Melt
O,That This Too,Too Solid Flesh Would Melt
Sir John Gielgud
I Will Tell You Why:So Shall My Anticipation Prevent Your Discovery
I Will Tell You Why:So Shall My Anticipation Prevent Your Discovery
Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):How are you, my dear Ernest? (Algernon, Jack, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):How are you, my dear Ernest? (Algernon, Jack, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):You can take a seat, Mr Worthing (Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):You can take a seat, Mr Worthing (Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Old Mr Thomas Cardew, who adopted me (Jack, Algernon, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Charming day it has been, Miss Fairfax (Jack, Gwendolen)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Charming day it has been, Miss Fairfax (Jack, Gwendolen)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):[Mendelssohn: Wedding March]...Oh, do stop playing that ghastly tune, Algy! (Jack, Algernon, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):[Mendelssohn: Wedding March]...Oh, do stop playing that ghastly tune, Algy! (Jack, Algernon, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bracknell, Gwendolen)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Mr Worthing! Rise, sir, from this semi-recumbent posture (Lady Bracknell, Gwendolen)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen, Jack, Lane)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Good afternoon, dear Algernon (Lady Bracknell, Algernon, Gwendolen, Jack, Lane)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton):Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act III (Morning-room at the Manor House, Woolton):Everything is quite ready for the christenings (Chasuble, Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Cecily, Cecily! (Miss Prism, Cecily)
The Importance of Being Earnest - A trivial play for serious people, Act II (Garden at the Manor House, Woolton):Cecily, Cecily! (Miss Prism, Cecily)
Dame Edith Evans, Sir John Gielgud
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Now to minor matters (Lady Bracknell, Jack)
The Importance of Being Earnest - A trivial play for serious people, Act I (Algernon Moncrieff's flat in Half-Moon Street, London W):Now to minor matters (Lady Bracknell, Jack)
Dame Edith Evans, Sir John Gielgud
Preludes
Preludes
Sir John Gielgud
Romeo and Juliet: "He Jests at Scars That Never Felt a Wound"
Romeo and Juliet: "He Jests at Scars That Never Felt a Wound"
Sir John Gielgud
The Storm Is Over
The Storm Is Over
Sir John Gielgud
Silver
Silver
Sir John Gielgud
Much Ado About Nothing: Act IV, Scene 1
Much Ado About Nothing: Act IV, Scene 1
Sir John Gielgud
King Richard II: Act III, Scene 3
King Richard II: Act III, Scene 3
Sir John Gielgud
Much Ado About Nothing: Act V, Scene 4
Much Ado About Nothing: Act V, Scene 4
Sir John Gielgud
Break, Break, Break
Break, Break, Break
Sir John Gielgud
Sonnet 12
Sonnet 12
Sir John Gielgud
Hamlet: "To Be or Not to Be That Is the Question"
Hamlet: "To Be or Not to Be That Is the Question"
Sir John Gielgud
Young and Old
Young and Old
Sir John Gielgud
The Triumph
The Triumph
Sir John Gielgud
Sonnet 73: That Time of Year
Sonnet 73: That Time of Year
Sir John Gielgud
The Ages of Man
The Ages of Man
Sir John Gielgud
Ozymandias
Ozymandias
Sir John Gielgud
Leisure
Leisure
Sir John Gielgud
Hamlet: Act I, Scene 2 "O That This Too Solid Flesh Would Melt"
Hamlet: Act I, Scene 2 "O That This Too Solid Flesh Would Melt"
Sir John Gielgud
Go Loveley Rose
Go Loveley Rose
Sir John Gielgud
Death
Death
Sir John Gielgud
The Shakespeare Memorial
The Shakespeare Memorial
Sir John Gielgud
The Tempest: Act IV, Scene 1
The Tempest: Act IV, Scene 1
Sir John Gielgud
So We'll Go no More A-Roving
So We'll Go no More A-Roving
Sir John Gielgud