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So Long & Thanks For All The Fish (Soundtrack)
So Long & Thanks For All The Fish (Soundtrack)
Hilary Summers, Kemi Ominiyi, The R'SVP Voices
 Le Marteau sans Ma?tre:Avant "l'Artisanat furieux"
Le Marteau sans Ma?tre:Avant "l'Artisanat furieux"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 This Damned Witch Scyorax
This Damned Witch Scyorax
Michael Nyman, Ian Bostridge, Catherine Bott, Hilary Summers
 The Fringed Curtains of Thine Eye
The Fringed Curtains of Thine Eye
Michael Nyman, Ian Bostridge, Catherine Bott, Hilary Summers
 Le Marteau sans Ma?tre:"L'Artisanat furieux"
Le Marteau sans Ma?tre:"L'Artisanat furieux"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le Marteau sans Ma?tre:Commentaire I de "Bourreaux de solitude"
Le Marteau sans Ma?tre:Commentaire I de "Bourreaux de solitude"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Alice's Adventures Under Ground:“bread and Butter”
Alice's Adventures Under Ground:“bread and Butter”
Claudia Boyle, Hilary Summers, Irish Chamber Orchestra, Andre de Ridder
 Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Che colpa è la mia (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Che colpa è la mia (Teodata)
Christian Curnyn, Early Opera Company, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Ricordati, mio ben (Teodata, Vitige)
Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Ricordati, mio ben (Teodata, Vitige)
Christian Curnyn, Early Opera Company, Renata Pokupić, Hilary Summers
 Serse, HWV 40, Act III: Aria. Cagion son io (Amastre)
Serse, HWV 40, Act III: Aria. Cagion son io (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act I Scene IV: Se non ti sai spiegar (Rosmira)
Partenope, HWV 27, Act I Scene IV: Se non ti sai spiegar (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act I Scene V: Furie son dell' Alma mia (Rosmira)
Partenope, HWV 27, Act I Scene V: Furie son dell' Alma mia (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act II: Recitativo. Giacché il duol non m'uccide (Amastre, Elviro)
Serse, HWV 40, Act II: Recitativo. Giacché il duol non m'uccide (Amastre, Elviro)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act II: Aria. Anima infida (Amastre)
Serse, HWV 40, Act II: Aria. Anima infida (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act I: Recitativo. Tradir di regia sposa (Amastre)
Serse, HWV 40, Act I: Recitativo. Tradir di regia sposa (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act III Scene VII: Cieli che miro! (Rosmira)
Partenope, HWV 27, Act III Scene VII: Cieli che miro! (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act III Scene IV: Oh Dio! perchè dal petto (Rosmira)
Partenope, HWV 27, Act III Scene IV: Oh Dio! perchè dal petto (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act I Scene XIII: Io seguo sol fiero (Rosmira)
Partenope, HWV 27, Act I Scene XIII: Io seguo sol fiero (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act III Scene II: Arsace, oh Dio! Così (Rosmira)
Partenope, HWV 27, Act III Scene II: Arsace, oh Dio! Così (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act I Scene V: Benchè povera donzella (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene V: Benchè povera donzella (Teodata)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act II: Aria. Or che siete, speranze, tradite (Amastre)
Serse, HWV 40, Act II: Aria. Or che siete, speranze, tradite (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act II: Arioso. Speranze mie fermate (Amastre)
Serse, HWV 40, Act II: Arioso. Speranze mie fermate (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act I: Aria. Saprà delle mie offese (Amastre)
Serse, HWV 40, Act I: Aria. Saprà delle mie offese (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act I: Aria. Ecco Serse, oh che volto, oh che splendore! (Amastre, Serse, Ariodate)
Serse, HWV 40, Act I: Aria. Ecco Serse, oh che volto, oh che splendore! (Amastre, Serse, Ariodate)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act III Scene IV: Quel volto mi piace (Rosmira)
Partenope, HWV 27, Act III Scene IV: Quel volto mi piace (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act I Scene V: Un altra volta ancor (Rosmira)
Partenope, HWV 27, Act I Scene V: Un altra volta ancor (Rosmira)
Christian Curnyn, Early Opera Company, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Con un vezzo, con un riso (Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Con un vezzo, con un riso (Teodata)
Christian Curnyn, Early Opera Company, Hilary Summers
 Serse, HWV 40, Act I: Aria. Se cangio spoglia (Amastre)
Serse, HWV 40, Act I: Aria. Se cangio spoglia (Amastre)
Christian Curnyn, Early Opera Company, Hilary Summers
 Partenope, HWV 27, Act I Scene IV: Cavalier, se gli Dei (Rosmira, Armindo)
Partenope, HWV 27, Act I Scene IV: Cavalier, se gli Dei (Rosmira, Armindo)
Christian Curnyn, Early Opera Company, Hilary Summers, Stephen Wallace
 Flavio, Re de' Longobardi, HWV 16, Act II Scene III: Ah! Teodata, Teodata! - Fato tiranno e crudo (Ugone, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene III: Ah! Teodata, Teodata! - Fato tiranno e crudo (Ugone, Teodata)
Christian Curnyn, Early Opera Company, Thomas Walker, Hilary Summers
 Serse, HWV 40, Act II: Duettino. Gran pena è gelosia! (Serse, Amastre)
Serse, HWV 40, Act II: Duettino. Gran pena è gelosia! (Serse, Amastre)
Christian Curnyn, Early Opera Company, Anna Stéphany, Hilary Summers
 Partenope, HWV 27, Act I Scene VIII: Quanto godo Eurimene (Armindo, Rosmira)
Partenope, HWV 27, Act I Scene VIII: Quanto godo Eurimene (Armindo, Rosmira)
Christian Curnyn, Early Opera Company, Stephen Wallace, Hilary Summers
 Partenope, HWV 27, Act I Scene XIII: Prence, di te mi lagno (Armindo, Rosmira)
Partenope, HWV 27, Act I Scene XIII: Prence, di te mi lagno (Armindo, Rosmira)
Christian Curnyn, Early Opera Company, Stephen Wallace, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Barbara Teodata (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act III Scene II: Barbara Teodata (Vitige, Teodata)
Christian Curnyn, Early Opera Company, Renata Pokupić, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Fra i ciechi orror' notturni (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act I Scene I: Fra i ciechi orror' notturni (Vitige, Teodata)
Christian Curnyn, Early Opera Company, Renata Pokupić, Hilary Summers
 Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Teodata! (Vitige, Teodata)
Flavio, Re de' Longobardi, HWV 16, Act II Scene VIII: Teodata! (Vitige, Teodata)
Christian Curnyn, Early Opera Company, Renata Pokupić, Hilary Summers
 Partenope, HWV 27, Act I Scene V: Non può darsi in un petto (Emilio, Armindo, Rosmira)
Partenope, HWV 27, Act I Scene V: Non può darsi in un petto (Emilio, Armindo, Rosmira)
Christian Curnyn, Early Opera Company, Kurt Streit, Stephen Wallace, Hilary Summers
 Le marteau sans maître:I. Avant "L'Artisanat furieux"
Le marteau sans maître:I. Avant "L'Artisanat furieux"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:VII. Après "L'Artisanat furieux"
Le marteau sans maître:VII. Après "L'Artisanat furieux"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:IV. Commentaire II de "Bourreaux de solitude"
Le marteau sans maître:IV. Commentaire II de "Bourreaux de solitude"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:IX. "Bel édifice et les pressentiments", double
Le marteau sans maître:IX. "Bel édifice et les pressentiments", double
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:V. "Bel édifice et les pressentiments", version première
Le marteau sans maître:V. "Bel édifice et les pressentiments", version première
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:VIII. Commentaire III de "Bourreaux de solitude"
Le marteau sans maître:VIII. Commentaire III de "Bourreaux de solitude"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:II. Commentaire I de "Bourreaux de solitude"
Le marteau sans maître:II. Commentaire I de "Bourreaux de solitude"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:VI. "Bourreaux de solitude"
Le marteau sans maître:VI. "Bourreaux de solitude"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 Le marteau sans maître:III. "L'Artisanat furieux"
Le marteau sans maître:III. "L'Artisanat furieux"
Hilary Summers, Ensemble InterContemporain, Pierre Boulez
 The Importance of Being Earnest, Act I: What Should I Do? (Reprise) [Live]
The Importance of Being Earnest, Act I: What Should I Do? (Reprise) [Live]
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act III: Twenty-Eight Years Ago (Live)
The Importance of Being Earnest, Act III: Twenty-Eight Years Ago (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live)
The Importance of Being Earnest, Act II: You Must Not Laugh at Me (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live)
The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)
The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act I: Freude, schöner Götterfunken (Live)
The Importance of Being Earnest, Act I: Freude, schöner Götterfunken (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act I: Are Your Parents Living? (Live)
The Importance of Being Earnest, Act I: Are Your Parents Living? (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live)
The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act I: I Feel Bound to Tell You (Live)
The Importance of Being Earnest, Act I: I Feel Bound to Tell You (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group
 The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live)
The Importance of Being Earnest, Act II: He's Going to Send Me Away (Live)
Barbara Hannigan, Thomas Adès, Katalin Károlyi, Hilary Summers, Peter Tantsits, Birmingham Contemporary Music Group