Since it was the day of Preparation …:Part I: The Burial (Baritone)
Since it was the day of Preparation …:Part I: The Burial (Baritone)
Tom Bullard, Hebrides Ensemble, William Conway
Since it was the day of Preparation …:Part II: Interlude
Since it was the day of Preparation …:Part II: Interlude
Hebrides Ensemble, William Conway
Mass in C Major - Missa in tempore belli ("Paukenmesse") Hob. XXII:9:Dona Nobis
Mass in C Major - Missa in tempore belli ("Paukenmesse") Hob. XXII:9:Dona Nobis
English Baroque Soloists, Joanne Lunn, Topi Lehtipuu, Monteverdi Choir, Brindley Sherratt, John Eliot Gardiner, Sara Mingardo
Serse, HWV 40, Act I: Recitativo. Pugnammo, amici, e stette (Ariodate, Amastre)
Serse, HWV 40, Act I: Recitativo. Pugnammo, amici, e stette (Ariodate, Amastre)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Serse, HWV 40, Act III: Aria. Del Ciel d'amore (Ariodate)
Serse, HWV 40, Act III: Aria. Del Ciel d'amore (Ariodate)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Serse, HWV 40, Act I: Aria. Soggetti al mio volere (Ariodate)
Serse, HWV 40, Act I: Aria. Soggetti al mio volere (Ariodate)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Serse, HWV 40, Act III: Recitativo. Ecco lo sposo! Io ben ne fui presago (Ariodate, Arsamene, Romilda)
Serse, HWV 40, Act III: Recitativo. Ecco lo sposo! Io ben ne fui presago (Ariodate, Arsamene, Romilda)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Semele, HWV 58, Act I Scene I: No. 10, Why does thou thus untimely grieve (Cadmus)
Semele, HWV 58, Act I Scene I: No. 10, Why does thou thus untimely grieve (Cadmus)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Semele, HWV 58, Act I Scene I: No. 12, Again auspicious flashes rise (Cadmus)
Semele, HWV 58, Act I Scene I: No. 12, Again auspicious flashes rise (Cadmus)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus)
Semele, HWV 58, Act I Scene I: No. 4, Daughter, obey (Cadmus)
Christian Curnyn, Early Opera Company, Brindley Sherratt
Semele, HWV 58, Act I Scene I: No. 2, Behold! auspicious flashes rise! (Cadmus)
Semele, HWV 58, Act I Scene I: No. 2, Behold! auspicious flashes rise! (Cadmus)
Christian Curnyn, Early Opera Company, Brindley Sherratt
La notte del Santo Natale
La notte del Santo Natale
Brindley Sherratt, Geoffrey Mitchell Choir, Malcolm Martineau
"Ridiamo, cantiamo che tutto sen va"
"Ridiamo, cantiamo che tutto sen va"
Brindley Sherratt, Jennifer Larmore, Lawrence Brownlee, Malcolm Martineau, Mireille Delunsch
L'esule di Granata, Act 1:"Sempre tacer! Soffrire! " (Chorus, Ali)
L'esule di Granata, Act 1:"Sempre tacer! Soffrire! " (Chorus, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella, Paul Austin Kelly
L'esule di Granata, Act 2:"Se lo difende amore - Inoltra il passo ... " (Azema, Chorus, Fatima, Almanzor, Ali)
L'esule di Granata, Act 2:"Se lo difende amore - Inoltra il passo ... " (Azema, Chorus, Fatima, Almanzor, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella, Laura Claycomb, Manuela Custer
L'esule di Granata, Act 2:"All'armi, all'armi! " (Voices, Chorus, Ali)
L'esule di Granata, Act 2:"All'armi, all'armi! " (Voices, Chorus, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella
L'esule di Granata, Act 1:"Si, vendetta ... pera ... cada ... " (All)
L'esule di Granata, Act 1:"Si, vendetta ... pera ... cada ... " (All)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella
L'esule di Granata, Act 2:"Itene amiche, e questa ora tranquilla " (Azema, Fatima, Ali)
L'esule di Granata, Act 2:"Itene amiche, e questa ora tranquilla " (Azema, Fatima, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Giuliano Carella, Laura Claycomb
L'esule di Granata, Act 1:"Eccovi il duce " (Alamar, Chorus, Ali)
L'esule di Granata, Act 1:"Eccovi il duce " (Alamar, Chorus, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella, Paul Austin Kelly
L'esule di Granata, Act 1:"Miei pensieri, in tal cimento " (Almanzor, Azema, Alamar, Sulemano, Ali)
L'esule di Granata, Act 1:"Miei pensieri, in tal cimento " (Almanzor, Azema, Alamar, Sulemano, Ali)
Academy of St. Martin in the Fields, Brindley Sherratt, Giuliano Carella, Laura Claycomb, Manuela Custer, Mirco Palazzi, Paul Austin Kelly
L'esule di Granata, Act 1:"Vieni e lascia al suo rimorso - Amor di un re magnanino " (Alamar, Sulemano, Azema, Almanzor, Ali, Chorus)
L'esule di Granata, Act 1:"Vieni e lascia al suo rimorso - Amor di un re magnanino " (Alamar, Sulemano, Azema, Almanzor, Ali, Chorus)
Academy of St. Martin in the Fields, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella, Laura Claycomb, Manuela Custer, Mirco Palazzi, Paul Austin Kelly
L'esule di Granata, Act 1:"Fragor lontan si ascolta " (All, Azema, Alamar, Omar, Sulemano, Chorus, Fatima)
L'esule di Granata, Act 1:"Fragor lontan si ascolta " (All, Azema, Alamar, Omar, Sulemano, Chorus, Fatima)
Academy of St. Martin in the Fields, Ashley Catling, Brindley Sherratt, Geoffrey Mitchell Choir, Giuliano Carella, Laura Claycomb, Mirco Palazzi, Paul Austin Kelly
Dinorah, Act 3:"Bonjour, faucheur!" (Huntsman, Reaper, Goatherd, Goatgirl, All)
Dinorah, Act 3:"Bonjour, faucheur!" (Huntsman, Reaper, Goatherd, Goatgirl, All)
Academy of St. Martin in the Fields, Brindley Sherratt, Della Jones, Ian Caley, James Judd, Marilyn Hill Smith, Roderick Earle
Der fliegende Holländer, Act I:Wie? Hör' ich recht? Meine Tochter sein Weib?
Der fliegende Holländer, Act I:Wie? Hör' ich recht? Meine Tochter sein Weib?
Gerald Finley, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act I:Durch Sturm und bösen Wind verschlagen
Der fliegende Holländer, Act I:Durch Sturm und bösen Wind verschlagen
Gerald Finley, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act II:Mögst du, mein Kind, den fremden Mann willkommen heißen
Der fliegende Holländer, Act II:Mögst du, mein Kind, den fremden Mann willkommen heißen
Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act I:Südwind! Südwind!
Der fliegende Holländer, Act I:Südwind! Südwind!
Eirik Grøtvedt, Gerald Finley, Brindley Sherratt, Norwegian National Opera Chorus, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act II:Mein Kind, du siehst mich auf der Schwelle
Der fliegende Holländer, Act II:Mein Kind, du siehst mich auf der Schwelle
Lise Davidsen, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act I:He! Holla! Steuermann!
Der fliegende Holländer, Act I:He! Holla! Steuermann!
Eirik Grøtvedt, Gerald Finley, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act I:Introduction. Hojoje! Hojoje! Hallojo! Ho! – Kein Zweifel! Sieben Meilen fort
Der fliegende Holländer, Act I:Introduction. Hojoje! Hojoje! Hallojo! Ho! – Kein Zweifel! Sieben Meilen fort
Eirik Grøtvedt, Brindley Sherratt, Norwegian National Opera Chorus, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act II:Verzeiht! Mein Volk hält draußen sich nicht mehr
Der fliegende Holländer, Act II:Verzeiht! Mein Volk hält draußen sich nicht mehr
Lise Davidsen, Gerald Finley, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Der fliegende Holländer, Act III:Erfahre das Geschick
Der fliegende Holländer, Act III:Erfahre das Geschick
Lise Davidsen, Anna Kissjudit, Stanislas de Barbeyrac, Gerald Finley, Brindley Sherratt, Norwegian National Opera Orchestra, Edward Gardner, Richard Wagner
Since it was the day of Preparation …:Part I: Interlude
Since it was the day of Preparation …:Part I: Interlude
Hebrides Ensemble, William Conway
Since it was the day of Preparation …:Part I: The Pierced Christ (Tenor)
Since it was the day of Preparation …:Part I: The Pierced Christ (Tenor)
Benedict Hymas, Hebrides Ensemble, William Conway
Since it was the day of Preparation …:Part I: Introduction
Since it was the day of Preparation …:Part I: Introduction
Elizabeth Kenny
Since it was the day of Preparation …:Part II: The Appearance to Mary of Magdala (Alto, Tenor, Baritone, Soprano, Christus)
Since it was the day of Preparation …:Part II: The Appearance to Mary of Magdala (Alto, Tenor, Baritone, Soprano, Christus)
Brindley Sherratt, Synergy Vocals, Hebrides Ensemble, William Conway
Since it was the day of Preparation …:Part II: The Appearances to the Disciples (Soprano, Alto, Christus, Tenor, Baritone)
Since it was the day of Preparation …:Part II: The Appearances to the Disciples (Soprano, Alto, Christus, Tenor, Baritone)
Brindley Sherratt, Synergy Vocals, Hebrides Ensemble, William Conway
Since it was the day of Preparation …:Part II: Interlude
Since it was the day of Preparation …:Part II: Interlude
Gabriella Dall'Olio
Since it was the day of Preparation …:Part III: Conclusion - Postlude (Soprano, Alto, Tenor, Baritone)
Since it was the day of Preparation …:Part III: Conclusion - Postlude (Soprano, Alto, Tenor, Baritone)
Synergy Vocals, Hebrides Ensemble, William Conway
Le Rossignol, Act II:Chanson du rossignol. "Akh, serdtse dobroye" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan, Les Envoyés japonais)
Le Rossignol, Act II:Chanson du rossignol. "Akh, serdtse dobroye" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan, Les Envoyés japonais)
BBC Singers, BBC Symphony Orchestra, Brindley Sherratt, John Tomlinson, Neil Howlett, Phyllis Bryn-Julson, Pierre Boulez
L'eremitaggio di Liverpool, Act 2:"Non intende il mio contento" (Emilia, All)
L'eremitaggio di Liverpool, Act 2:"Non intende il mio contento" (Emilia, All)
Brindley Sherratt, David Parry, Philharmonia Orchestra, Yvonne Kenny
Imelda de' Lambertazzi, Act 1:"Itale schiere, a sostenerlo accinte" (Lamberto, Orlando, Ubaldo)
Imelda de' Lambertazzi, Act 1:"Itale schiere, a sostenerlo accinte" (Lamberto, Orlando, Ubaldo)
Brindley Sherratt, Frank Lopardo, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"E' il genitor nelle sue stanze, Imelda?" (Ubaldo, Imelda, Bonifacio)
Imelda de' Lambertazzi, Act 1:"E' il genitor nelle sue stanze, Imelda?" (Ubaldo, Imelda, Bonifacio)
Brindley Sherratt, James Westman, Mark Elder, Nicole Cabell, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 2:"Mi narri il ver?" (Orlando, Ubaldo, Lamberto)
Imelda de' Lambertazzi, Act 2:"Mi narri il ver?" (Orlando, Ubaldo, Lamberto)
Brindley Sherratt, Frank Lopardo, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"E' Oralando che si avanza!" (Bonifacio, Orlando, Ubaldo)
Imelda de' Lambertazzi, Act 1:"E' Oralando che si avanza!" (Bonifacio, Orlando, Ubaldo)
Brindley Sherratt, Frank Lopardo, James Westman, Mark Elder, Orchestra Of The Age Of Enlightenment
L'eremitaggio di Liverpool, Act 2:"E partito?" (Mountaineers, All, Bettina, Candida)
L'eremitaggio di Liverpool, Act 2:"E partito?" (Mountaineers, All, Bettina, Candida)
Anne Mason, Brindley Sherratt, Colin Lee, David Parry, Fabio Previati, Philharmonia Orchestra
Imelda de' Lambertazzi, Act 1:"Ah! si soda lo squillo di bellice tromba!" (Lamberto, Orlando, Ubaldo, Chorus)
Imelda de' Lambertazzi, Act 1:"Ah! si soda lo squillo di bellice tromba!" (Lamberto, Orlando, Ubaldo, Chorus)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"Voi, che, fulmini di guerra" (Lamberto, Orlando, Chorus, Ubaldo)
Imelda de' Lambertazzi, Act 1:"Voi, che, fulmini di guerra" (Lamberto, Orlando, Chorus, Ubaldo)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"D'invitti Eroi degni nepoti! ai sensi" (Lamberto, Chorus, Orlando, Ubaldo)
Imelda de' Lambertazzi, Act 1:"D'invitti Eroi degni nepoti! ai sensi" (Lamberto, Chorus, Orlando, Ubaldo)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"Vengo a voi, non d'armi cinto" (Bonifacio, Orlando, Lamberto, Ubaldo, Chorus)
Imelda de' Lambertazzi, Act 1:"Vengo a voi, non d'armi cinto" (Bonifacio, Orlando, Lamberto, Ubaldo, Chorus)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, James Westman, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"E quale pegno di stabil pace" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Imelda de' Lambertazzi, Act 1:"E quale pegno di stabil pace" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, James Westman, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"L'incarco esponi" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Imelda de' Lambertazzi, Act 1:"L'incarco esponi" (Orlando, Bonifacio, Lamberto, Ubaldo, Chorus)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, James Westman, Mark Elder, Massimo Giordano, Orchestra Of The Age Of Enlightenment
Imelda de' Lambertazzi, Act 1:"Imelda!" (Bonifacio, Lamberto, Orlando, Imelda, Ubaldo, Chorus)
Imelda de' Lambertazzi, Act 1:"Imelda!" (Bonifacio, Lamberto, Orlando, Imelda, Ubaldo, Chorus)
Brindley Sherratt, Frank Lopardo, Geoffrey Mitchell Choir, James Westman, Mark Elder, Massimo Giordano, Nicole Cabell, Orchestra Of The Age Of Enlightenment
Es ist dir gesagt, Mensch, was gut ist, BWV 45:Arioso: Es werden viele zu mir sagen (Bass)
Es ist dir gesagt, Mensch, was gut ist, BWV 45:Arioso: Es werden viele zu mir sagen (Bass)
Brindley Sherratt, English Baroque Soloists, John Eliot Gardiner
Acis & Galatea, HWV 49: XII. Chorus. "Wretched Lovers!" (arr. Mendelssohn)
Acis & Galatea, HWV 49: XII. Chorus. "Wretched Lovers!" (arr. Mendelssohn)
Christ Church Cathedral Choir, Georg Friedrich Händel, Oxford Philomusica, Stephen Darlington, Jeni Bern, Benjamin Hulett, Nathan Vale, Brindley Sherratt
Acis & Galatea, HWV 49: XXIV. Chorus. "Mourn All Ye Muses!" (arr. Mendelssohn)
Acis & Galatea, HWV 49: XXIV. Chorus. "Mourn All Ye Muses!" (arr. Mendelssohn)
Christ Church Cathedral Choir, Georg Friedrich Händel, Oxford Philomusica, Stephen Darlington, Jeni Bern, Benjamin Hulett, Nathan Vale, Brindley Sherratt