Les Troyens, H 133, Act 5:"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Les Troyens, H 133, Act 5:"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Ambrosian Opera Chorus, Bernadette Greevy, Gwynne Howell, Janet Baker, Keith Erwen, London Symphony Orchestra, Ronald Kinloch Anderson, Sir Alexander Gibson
Les Troyens, H 133, Act 5:"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Les Troyens, H 133, Act 5:"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Ambrosian Opera Chorus, Bernadette Greevy, Gwynne Howell, Janet Baker, London Symphony Orchestra, Ronald Kinloch Anderson, Sir Alexander Gibson
Un ballo in maschera / Act 2:"Seguitemi"
Un ballo in maschera / Act 2:"Seguitemi"
Montserrat Caballé, Ingvar Wixell, Robert Lloyd, Gwynne Howell, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Un ballo in maschera / Act 1:"S'avanza il conte - La rivedrà nell'estasi"
Un ballo in maschera / Act 1:"S'avanza il conte - La rivedrà nell'estasi"
José Carreras, Sona Ghazarian, Robert Lloyd, Gwynne Howell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis, Chorus of the Royal Opera House, Covent Garden
Un ballo in maschera / Act 2:"Ve', se di notte"
Un ballo in maschera / Act 2:"Ve', se di notte"
Montserrat Caballé, Robert Lloyd, Gwynne Howell, Ingvar Wixell, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
I Capuleti e i Montecchi, Act I - Scene 1:L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)
I Capuleti e i Montecchi, Act I - Scene 1:L'amo tanto, e mi è si cara (Capellio/Lorenzo/Tebaldo/Coro)
Agnes Baltsa, Edita Gruberová, Gwynne Howell, Sir John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Dano Raffanti, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti
I Capuleti e i Montecchi, Act I - Scene 1:E' serbata a questa acciaro (Tebaldo)
I Capuleti e i Montecchi, Act I - Scene 1:E' serbata a questa acciaro (Tebaldo)
Agnes Baltsa, Edita Gruberová, Gwynne Howell, Sir John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Dano Raffanti, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti
Un ballo in maschera / Act 3:"Ah! dessa è là"
Un ballo in maschera / Act 3:"Ah! dessa è là"
José Carreras, Sona Ghazarian, Robert Lloyd, Ingvar Wixell, Gwynne Howell, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
I Capuleti e i Montecchi, Act I - Scene 2:Eccomi in lieta vesta
I Capuleti e i Montecchi, Act I - Scene 2:Eccomi in lieta vesta
Edita Gruberová, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti, Agnes Baltsa, Gwynne Howell, Dano Raffanti, John Willan, David Groves, John Tomlinson, Chorus of the Royal Opera House, Covent Garden, Felice Romani
Un ballo in maschera / Act 1:"Posa in pace"
Un ballo in maschera / Act 1:"Posa in pace"
Robert Lloyd, Gwynne Howell, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Un ballo in maschera / Act 1:Signori: "oggi d'Ulrica"
Un ballo in maschera / Act 1:Signori: "oggi d'Ulrica"
José Carreras, Ingvar Wixell, Sona Ghazarian, Robert Lloyd, Gwynne Howell, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
Coronation Ode, Op. 44: III. Britain, Ask of Thyself (Bass, Chorus)
Coronation Ode, Op. 44: III. Britain, Ask of Thyself (Bass, Chorus)
Sir Alexander Gibson, Royal Scottish National Orchestra, Gwynne Howell, Royal Scottish National Orchestra Chorus
Stabat Mater Hob.XXa:1:11. Flammis orci ne succendar
Stabat Mater Hob.XXa:1:11. Flammis orci ne succendar
Gwynne Howell, The Argo Chamber Orchestra, Laszlo Heltay
Stabat Mater Hob.XXa:1:5. Pro peccatis suae gentis
Stabat Mater Hob.XXa:1:5. Pro peccatis suae gentis
Gwynne Howell, The Argo Chamber Orchestra, Laszlo Heltay
I Capuleti e i Montecchi:Sinfonia (Allegro agitato)
I Capuleti e i Montecchi:Sinfonia (Allegro agitato)
Agnes Baltsa, Edita Gruberová, Gwynne Howell, Sir John Tomlinson, Orchestra of the Royal Opera House, Covent Garden, Dano Raffanti, Chorus of the Royal Opera House, Covent Garden, Riccardo Muti
Stabat Mater Hob.XXa:1:10. Virgo virginium praeclara
Stabat Mater Hob.XXa:1:10. Virgo virginium praeclara
Gwynne Howell, The Argo Chamber Orchestra, Alfreda Hodgson, The London Chamber Choir, Arleen Auger, Laszlo Heltay, Anthony Rolfe Johnson
Requiem in D Minor, K. 626: III. Sequentia, (f) Lacrimosa (Chorus)
Requiem in D Minor, K. 626: III. Sequentia, (f) Lacrimosa (Chorus)
Richard Hickox, Yvonne Kenny, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, Northern Sinfonia Of England
Un ballo in maschera, Act 3:"Dunque l'onta di tutti sol una" (Renato, Samuel, Tom)
Un ballo in maschera, Act 3:"Dunque l'onta di tutti sol una" (Renato, Samuel, Tom)
Carlo Rizzi, Gwynne Howell, James Mallinson, Mike Hatch, Orchestra of Welsh National Opera, Peter Rose, Vladimir Chernov
Un ballo in maschera, Act 3:"Siam soli. Udite" (Renato, Tom, Samuel)
Un ballo in maschera, Act 3:"Siam soli. Udite" (Renato, Tom, Samuel)
Carlo Rizzi, Gwynne Howell, James Mallinson, Mike Hatch, Orchestra of Welsh National Opera, Peter Rose, Vladimir Chernov
Un ballo in maschera, Act 1:"Posa in pace" (Coro, Samuel, Tom)
Un ballo in maschera, Act 1:"Posa in pace" (Coro, Samuel, Tom)
Carlo Rizzi, Chorus of Welsh National Opera, Gwynne Howell, James Mallinson, Mike Hatch, Orchestra of Welsh National Opera, Peter Rose
Un ballo in maschera, Act 1:"La rivedrà nell'estasi" (Riccardo, Oscar, Samuel, Tom, Coro)
Un ballo in maschera, Act 1:"La rivedrà nell'estasi" (Riccardo, Oscar, Samuel, Tom, Coro)
Carlo Rizzi, Chorus of Welsh National Opera, Gwynne Howell, Maria Bayo, Orchestra of Welsh National Opera, Peter Rose, Richard Leech
Stabat Mater:Cujus animam gementem
Stabat Mater:Cujus animam gementem
Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, John Mordler, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti, Robert Gambill
Stabat Mater:Cujus animam gementem
Stabat Mater:Cujus animam gementem
Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, John Mordler, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti, Robert Gambill
Stabat Mater:Pro peccatis suae gentis
Stabat Mater:Pro peccatis suae gentis
Agnes Baltsa, Catherine Malfitano, Coro del Maggio Musicale Fiorentino, Gwynne Howell, Orchestra del Maggio Musicale Fiorentino, Riccardo Muti, Robert Gambill
I Capuleti e i Montecchi, Act II - Scene 3:Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)
I Capuleti e i Montecchi, Act II - Scene 3:Ah! crudel! che mai facesti? (Giulietta/Romeo/Coro/Capellio/Lorenzo)
Agnes Baltsa, Chorus of the Royal Opera House, Covent Garden, Dano Raffanti, David Groves, Edita Gruberová, Felice Romani, Gwynne Howell, John Tomlinson, John Willan, John Willlan, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti, Royal Opera House Covent Garden Chorus, Sir John Tomlinson
I Capuleti e i Montecchi, Act I - Scene 2:Si fuggire: a noi non resta
I Capuleti e i Montecchi, Act I - Scene 2:Si fuggire: a noi non resta
Agnes Baltsa, Edita Gruberová, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti, Gwynne Howell, Dano Raffanti, John Tomlinson, John Willan, David Groves, Chorus of the Royal Opera House, Covent Garden, Felice Romani
I Capuleti e i Montecchi, Act I - Scene 2:Odi tu? L'altar funesto
I Capuleti e i Montecchi, Act I - Scene 2:Odi tu? L'altar funesto
Agnes Baltsa, Edita Gruberová, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti, Gwynne Howell, Dano Raffanti, John Tomlinson, John Willan, David Groves, Chorus of the Royal Opera House, Covent Garden, Felice Romani
Un ballo in maschera, Act I Tableau 2 No. 11:Su, profetessa - Di' tu se fedele (Horn, Ribbing, Oscar, Gustavo, Chorus)
Un ballo in maschera, Act I Tableau 2 No. 11:Su, profetessa - Di' tu se fedele (Horn, Ribbing, Oscar, Gustavo, Chorus)
Chorus of the Royal Opera House, Covent Garden, Gwynne Howell, New Philharmonia Orchestra, Plácido Domingo, Reri Grist, Riccardo Muti, Richard van Allan
Manon Lescaut, Act 3:"Ah! Non v'avvicinate!" (Des Grieux, Il Commandante)
Manon Lescaut, Act 3:"Ah! Non v'avvicinate!" (Des Grieux, Il Commandante)
Bruno Bartoletti, Christopher Parker, Gwynne Howell, New Philharmonia Orchestra, Plácido Domingo, Ronald Kinloch Anderson
Die Schopfung (The Creation), Hob.XXI:2:Part I: Im Anfange schuf Goff Himmel und Erde (Raphael, Uriel, Chorus)
Die Schopfung (The Creation), Hob.XXI:2:Part I: Im Anfange schuf Goff Himmel und Erde (Raphael, Uriel, Chorus)
Gwynne Howell
Requiem in D Minor, K. 626:VIII. Lacrimosa
Requiem in D Minor, K. 626:VIII. Lacrimosa
Yvonne Kenny, Alfreda Hodgson, Arthur Davies, Gwynne Howell, London Symphony Chorus, NORTHERN SINFONIA OF ENGLAND, Richard Hickox
Manon Lescaut, Act 3:"Presto! In fila … Marciate!" (Un sergente, Des Grieux, Il Commandante, Chorus)
Manon Lescaut, Act 3:"Presto! In fila … Marciate!" (Un sergente, Des Grieux, Il Commandante, Chorus)
Ambrosian Opera Chorus, Bruno Bartoletti, Christopher Parker, Gwynne Howell, New Philharmonia Orchestra, Plácido Domingo, Robert Lloyd, Ronald Kinloch Anderson
Manon Lescaut, Act 3:"Ah! Non v'avvicinate!" (Des Grieux, Il Commandante)
Manon Lescaut, Act 3:"Ah! Non v'avvicinate!" (Des Grieux, Il Commandante)
Bruno Bartoletti, Christopher Parker, Gwynne Howell, New Philharmonia Orchestra, Plácido Domingo, Ronald Kinloch Anderson
Symphony No. 9 in D Minor, Op. 125, "Choral":IV. Allegro energico, sempre ben marcato
Symphony No. 9 in D Minor, Op. 125, "Choral":IV. Allegro energico, sempre ben marcato
Alison Hargen, Della Jones, David Rendell, Gwynne Howell, London Symphony Chorus, Wyn Morris
Das klagende Lied: I. Waldmärchen (Live)
Das klagende Lied: I. Waldmärchen (Live)
BBC Singers, BBC Symphony Chorus, BBC Symphony Orchestra, Геннадий Рождественский, Gwynne Howell, Janet Baker, Robert Tear, Teresa Cahill
Messiah, HWV 56, Pt. 2:No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)
Messiah, HWV 56, Pt. 2:No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)
Gwynne Howell, Academy of St. Martin in the Fields, Neville Marriner
Messiah, HWV 56, Pt. 1:No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)
Messiah, HWV 56, Pt. 1:No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)
Gwynne Howell, Academy of St. Martin in the Fields, Neville Marriner
Messiah, HWV 56, Pt. 3:No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass)
Messiah, HWV 56, Pt. 3:No. 47, Recit. Behold, I Tell You a Mystery (Bass) - No. 48, Aria. The Trumpet Shall Sound (Bass)
Gwynne Howell, Academy of St. Martin in the Fields, Neville Marriner
Messiah, HWV 56, Pt. 1:No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)
Messiah, HWV 56, Pt. 1:No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)
Gwynne Howell, Academy of St. Martin in the Fields, Neville Marriner
Messiah, HWV 56, Pt. 2:No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder
Messiah, HWV 56, Pt. 2:No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder
Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Neville Marriner
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)
Sir Simon Rattle, Royal Opera House Orchestra, Covent Garden, Gwynne Howell
Katya Kabanova, JW 1/8, Act I Scene 1: What d'you think you're hanging around for? (Dikoi, Boris)
Katya Kabanova, JW 1/8, Act I Scene 1: What d'you think you're hanging around for? (Dikoi, Boris)
Carlo Rizzi, Orchestra of Welsh National Opera, Robert Brubaker, Gwynne Howell
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, Foreste
Sir Simon Rattle, Royal Opera House Orchestra, Covent Garden, Gwynne Howell, Sir Thomas Allen
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)
Sir Simon Rattle, Royal Opera House Orchestra, Covent Garden, Gwynne Howell, Sir Thomas Allen, Robert Tear
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest Cre
Sir Simon Rattle, Royal Opera House Orchestra, Covent Garden, Lillian Watson, Gwynne Howell, Royal Opera House Chorus
Katya Kabanova, JW 1/8, Act I Scene 1: Is your mistress at home? (Dikoi, Glasha, Kudryash, Boris, Feklusha)
Katya Kabanova, JW 1/8, Act I Scene 1: Is your mistress at home? (Dikoi, Glasha, Kudryash, Boris, Feklusha)
Carlo Rizzi, Orchestra of Welsh National Opera, Robert Brubaker, Gwynne Howell, Peter Wedd, Kathleen Wilkinson, Claire Hampton
Katya Kabanova, JW 1/8, Act II Scene 1: It's so warm indoors (Varvara, Katya, Dikoi, Kabanicha)
Katya Kabanova, JW 1/8, Act II Scene 1: It's so warm indoors (Varvara, Katya, Dikoi, Kabanicha)
Carlo Rizzi, Orchestra of Welsh National Opera, Cheryl Barker, Jane Henschel, Victoria Simmonds, Gwynne Howell
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek
The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, Pásek
Sir Simon Rattle, Royal Opera House Orchestra, Covent Garden, Sir Thomas Allen, Robert Tear, Gwynne Howell, John Dobson
Die Schopfung (The Creation), Hob.XXI:2:Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael)
Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra, Rafael Kubelík
Die Schopfung (The Creation), Hob.XXI:2:Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael)
Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra, Rafael Kubelík
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und Gott schuf grosse Walfische (And God created great whales) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und Gott schuf grosse Walfische (And God created great whales) (Raphael)
Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra, Rafael Kubelík
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und die Engel ruhrten ihre unsterblichten Harfen (And the angels struck their immortal harps) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und die Engel ruhrten ihre unsterblichten Harfen (And the angels struck their immortal harps) (Raphael)
Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra, Rafael Kubelík
Die Schopfung (The Creation), Hob.XXI:2:Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael)
Rafael Kubelík, Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael)
Rafael Kubelík, Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra
Die Schopfung (The Creation), Hob.XXI:2:Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael)
Rafael Kubelík, Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra
Die Schopfung (The Creation), Hob.XXI:2:Part II: Gleich offnet sich der Erde Schoss (Straight opening her fertile womb) (Raphael)
Die Schopfung (The Creation), Hob.XXI:2:Part II: Gleich offnet sich der Erde Schoss (Straight opening her fertile womb) (Raphael)
Rafael Kubelík, Gwynne Howell, Hedwig Bilgram, Bavarian Radio Symphony Orchestra