Colette
Thomas Adès
Snow Globe
Thomas Adès
Darknesse Visible
Thomas Adès
Les Baricades Mistérieuses
Thomas Adès, Composers Ensemble, Stephen Johns
Asyla, Op. 17: II. Second Movement
Thomas Adès, London Symphony Orchestra
Asyla, Op. 17: I. First Movement
London Symphony Orchestra, Thomas Adès
Asyla, Op. 17: III. Ecstasio
London Symphony Orchestra, Thomas Adès
Violin Concerto, Op. 23 "Concentric Paths":I. Rings
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Living Toys, Op.9 (1993):TABLET
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Of course she's done well
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Living Toys, Op.9 (1993):V. Playing Funerals -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Violin Concerto, "Concentric Paths":III. Rounds
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
Souvenir
Thomas Adès, Chelsea Lane
Violin Concerto, "Concentric Paths":II. Paths
Anthony Marwood, Chamber Orchestra of Europe, Stephen Johns, Thomas Adès
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Is Daddy squiffy?
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Under Hamelin Hill, Op. 6:Preambulum
David Goode, Stephen Farr, Thomas Adès
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I:Overture (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: I see. This is what it has come to
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Living Toys, Op.9 (1993):I. Angels -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: But now I have heard something new (Judge)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3:Nineteen thirty-six: Fancy, fancy being rich (Waitress)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Are you saying the Duchess is a whore?
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5:Nineteen fifty-three: Ha ha ha ha...(Paper chase) (Mistress/Duke)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7:Nineteen seventy: I'd like to make one thing entirely clear
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Living Toys, Op.9 (1993):IV. H.A.L.'s Death -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Powder Her Face (an Opera in two acts) Op.14, Act II, Ghost Epilogue:Enough...Or too much! (Maid/Electrician)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 1:Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 2:Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 4:Nineteen thirty-six: Interlude (Orchestra)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6:Nineteen fifty-five: Order. Silence
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 8:Nineteen ninety: That will do. You may go (Duchess)
Almeida Ensemble, Jill Gomez, Niall Morris, Philip Henscher, Roger Bryson, Thomas Adès, Valdine Anderson
Living Toys, Op.9 (1993):III Militiamen -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Living Toys, Op.9 (1993):II. Aurochs -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Living Toys, Op.9 (1993):BALETT -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
Living Toys, Op.9 (1993):BATTLE -
London Sinfonietta, Markus Stenz, Thomas Adès, Tryggvi Tryggvason
From the Street 1. X. 1905, ‘Piano Sonata’:Smrt (Death)
Thomas Adès
Po zarostlém chodníčku (On an Overgrown Path), Series I:Sýček neodletěl! [the Barn Owl has not Flown Away!]
Thomas Adès
Po zarostlém chodníčku (On an Overgrown Path), Series I:V pláči [In Tears]
Thomas Adès
Po zarostlém chodníčku (On an Overgrown Path), Series I:Dobrou noc! [Good Night!]
Thomas Adès
Po zarostlém chodníčku (On an Overgrown Path), Series I:Pojďte s námi! [Come with Us!]
Thomas Adès
V mlhách (In the Mists):Andantino
Thomas Adès
Po zarostlém chodníčku (On an Overgrown Path), Series I:Štěbetaly jak laštovičky [They Chattered like Swallows]
Thomas Adès
From the Street 1. X. 1905, ‘Piano Sonata’:Předtucha (Foreboding)
Thomas Adès